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Moroso is a design brand that has been designing and making a wide range of furniture since 1952. Within its offerings, the Moroso Poltrone collection has always been particularly successful for its originality and impeccable design.<\/p>\n
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The Moroso Poltrone catalog boasts collaborations with some of the most important designers within the international scene, such as Patricia Urquiola and Ron Arad.<\/p>\n
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Common denominator of all Moroso armchairs is the constant search for the highest quality, in order to be able to offer its customers a product that is not only aesthetically perfect but also technologically advanced, in line with the increasingly demanding requirements of the market.<\/p>\n
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Each Moroso armchair manages to reconcile deep craftsmanship and tailoring know-how with industrial production processes, basing the essence of each armchair in a delicate encounter between:<\/p>\n
design, for the lines<\/p>\n
art, for whimsy<\/p>\n
Fashion, for the latest fashionable and sought-after fabrics and colors<\/p>\n
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After this brief introduction to the Moroso armchair collection, let’s look at some of the products most sought after for their whimsy and comfort.<\/p>\n
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One of the most sought-after models is the Moroso Fjord armchair: from a fragment of a shell, broken, smoothed by waves, Patricia Urquiola designs a collection of seating designed for the home and public spaces.<\/p>\n
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The Scandinavian influence, deducible already from the name, is clearly visible in the elongated cut on the backrest, evocative of the sharp inlets of the Nordic coasts.<\/p>\n
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The Moroso Fjord family consists of two other elements that seem to recall the natural cycle of an organic element. The high-backed armchair, as if smoothed by water, transforms into an armchair and then a stool\/pouf.<\/p>\n
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Paired with this incredible armchair is another creation, also by Patricia Urquiola, the Bohemian model armchair.<\/p>\n
In this design the designer confronts capitonn\u00e9 fabric, interpreting this great upholstery classic in a completely original way, as is her custom.<\/p>\n
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The Bohemian family of products is designed as if they had a liquid form, as if they were going to melt on the frame creating soft, enveloping, casual-looking lines where the fabric (or leather) is attached to the shell with snaps. <\/p>\n
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Each element of the Moroso Bohemian collection-armchair, armchair and chaise longue-seems to wear on its shoulders a soft shawl resting on the supporting structure.<\/p>\n
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For a change of designers we come to the Soft Big Easy armchair, designed in 1991 by Ron Arad.<\/p>\n
The Big Easy collection, with its abundant, sculptural forms, comes from a steel armchair made in 1988, and demonstrates how a volume, as a simple form, can be translated, without undermining its design principles, through a reinterpretation of materials and production processes.<\/p>\n
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The Soft Big Easy armchair immediately gives a feeling of visual softness, while the fullness of its volumes and composition gives an instant image of comfort.<\/p>\n
This armchair is a clear example of how in Moroso armchairs aesthetic research is combined with technological research: Big Easy explores rotational molding and the use of polyethylene in a completely innovative way.<\/p>\n
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